Tuesday, July 28, 2015

Jingo All the Way



Lazily copy-pasted from the Wikipedia entry on Article 9 of the Japanese Constitution:

In July 2014, Japan's government approved a reinterpretation of [Article 9] despite concerns and disapproval from its neighbors. This reinterpretation would allow Japan to exercise the right of "collective self defense"and exercise military action if one of its allies were to be attacked. It is considered by some parties as illegitimate, posing a serious danger to Japan’s democracy since the Prime Minister circumvented the constitutional amendment procedure, dictating a radical change to the meaning of fundamental principles in the Constitution by way of Cabinet fiat without Diet debate, vote, or public approval.

Basically, Japan is choosing to view the whole “you can't have an army” article as more guidelines than the law of the land. It's sparked controversy, of course, much like my own country's belief that you can bomb a country back into the Stone Age without ever calling it a war. Why do I bring up real-world politics at all? Because by God, knowing what's going on makes watching the currently-airing series Gate uncomfortable.

Does anyone remember that old sci-fi show Stargate SG-1? Where the U.S. Military travels through a mysterious gate to battle a technologically superior alien army?  Fun show.



Now imaging transposing that concept to an anime, changing the U.S. Army to the J.S.D.F. Forces and the science fiction setting to a fantasy one. Sounds cool; the concept of seeing a modern army taking on a horde of giants and dragons makes my mouth water. And to the show's credit, it doesn't wuss out by drowning us in endless dialogue. Plenty of series have made similar promises of action only to spend an eternity droning on about the world, about politics, about human nature, you name it. Here, we see the promised fights consistently, so kudos there. What makes this show a little despicable in my eyes is how unashamedly pro-military it is.

In the first few episodes alone, we've seen the J.S.D.F. slaughter entire armies with nary a casualty on their own side. We see a lone army member (the main character, incidentally) save hundreds by being smarter tactically than the entire Japanese police force, prompting a not-unwelcome flashback to Angel Cop; apparently regular cops are a bunch of pussies in this world, too. We learn quickly not to get excited when more action looms on the horizon, because it'll no doubt be a one-sided ass-kicking. Opening and ending credits linger so lovingly on shots of tanks and Humvees that it borders on the pornographic.

And yet in spite of this near-fetishization of military action, there's a bizarre attitude of nonchalance at times, most notably right after one of the aforementioned “battles”. Soldiers survey the corpse-choked field with not the slightest hint of interest or discomfort; just another day on the job, I guess. “Heard we killed about 60,000 of them. Do you think Shinji'll have that paperwork done by tomorrow?” In an interesting direction choice, we actually get to see many conflicts from the enemy's point of view. While some may view this as a downright even-handed method of showing a battle, I find it all the more disturbing since these perfectly capable, rational (mostly) human beings clearly have no chance of winning from the get-go, and watching them mowed down and dismissed as statistics isn't particularly pleasant.

This self-centered irreverence is best embodies by lead character Itami, self-professed otaku. Not the fun, quirky, or endearing sort of otaku, mind you, but the kind that views everything as a hassle. “Damn it, I have to be the lookout tonight. I wanted to spend it with my waifu.” “Ugh, I didn't even want that promotion I got through sheer luck!” “If forced to pick between my job and hobbies, I'd pick my hobbies without question.” His comrades consist of 1) other male otaku, 2) cute girl soldiers, and 3) cute girl fantasy stereotypes. Although we see Itami in military clothes doing military things like shooting guns, working out, and driving Humvees, it all feels wildly out of character for him. If just any job would do to support his hobby, why choose the one that is among the most difficult and dangerous? He sure as hell doesn't show any pride in his country, or interest in anything that isn't satirically generic anime, so why the military? 


Because Itami is about as obvious a self-insert character as you can get. He's meant to appeal to us, the assumed otaku audience. We're meant to think that we, too, can do cool things and be surrounded by cute girls and fun-loving otaku just like us in the military. Worst of all, we can do it without changing anything about who we are. The main reason I grew to despise Itami and why he feels so off as a character is because he doesn't act like he has any self-discipline or respect for authority that anyone would get drilled into them in a halfway-decent boot camp. If you're going to do a show about the military, that's fine, but do it with characters I can actually believe are in the military.

Besides the battle's aftermath described above, another great scene illustrating the show's poorly-hidden message is when blue-haired mage Lelei is traveling with some J.S.D.F.-escorted refugees. A horse gets spooked and flails around, putting her in physical danger. Rather than use any of the magic she has demonstrated mastery of, Lelei cleverly decides to freeze up and stare at the horse. A soldier puts a few bullets in the horse, because clearly nothing else could've been done. As it collapses, Lelei realizes, “Those people...they saved me.” The look in her eyes says she'll be a military fangirl for life, because they were awesome enough to do what she could've done easier.

Gate may be innocent, harmless fun when all is said and done, but this show more than most others I've seen really strikes me as irresponsible. I very much doubt the military is one big joyride as it's presented here, where elf girls and goth loli chicks fall all over you and your buddies because you're so cool. Am I a hypocrite for shitting on this show when the aforementioned Stargate (and, arguably, my own country) was guilty of favoring the military a little too much? Probably. But that show also dealt with shades of moral gray, and characters' decisions, even well-intentioned ones, often had dire consequences. There is not yet any indication that Gate will evolve beyond its Us vs. Them mindset, or feel like anything more than a joyride. Here's hoping I'm proven wrong.


...but I'm not holding my breath.

Tuesday, July 14, 2015

What the Devil?


Can something be awesome and annoying at the same time? Is it possible for a show to feel both half-assed and batshit crazy? Yes, it is. My recent watching of the 1972 series Devilman proves it beyond a doubt.

Another one of my blind purchases at Acen, I was unsure of what I'd get with this title. Looking to expand my knowledge of Go Nagai but unwilling to jump right into a long-runner like Mazinger Z or Getter Robo, this lesser-known work was where I settled. Turns out this was another good purchase, albeit one I'd have trouble recommending to many people.

The first few episodes erect a some barriers to entry right off the bad. First off, protagonist Akira Fudou, the titular Devilman, is a total asshole. Like, nowhere close to the “jerk with a heart of god” cliché, just plain unpleasant. Also, there's some pretty childish comic relief shoved in our faces, courtesy of buttmonkey teacher Alphonse-sensei and Taro's habit of wetting himself. Animation quality struggles to rise out of the toilet, and succeeds only rarely. The monster-of-the-week format could also be a turn-off for some, although I don't know who would even start this type of show without expecting it. On the plus side, the premise is an interesting twist on your typical superhero show, and Devilman's design kicks ass. Almost every episode has a respectable body count, as well; maybe that's just a selling point for me, but it's nice to see that an assault by demons comes with actual consequences.

How did this series eventually win me over? Well, Akira becomes much more likable as the series goes on. At the start he just had a weird “thing” for girlfriend Miki that even he couldn't explain, and would kill anything that threatened her happiness. As his new everyday life unfolds, however, he forms less passionate but still significant connections with others. There's not a specific point I remember when Akira's ideals change from complete self-interest to a more noble “gotta protect humanity regardless of personal cost”, but then again there doesn't really have to be. I choose to interpret his unheralded shift to heroism as a conscious choice rather than sloppy writing, at any rate.

He isn't the only person you warm up to. As the series goes on, more and more one-note characters get rounded out to some extent. Taro gets a grade-school crush that sounds dumb once you hear it, but actually inspires him to test his own fear-induced limits a couple times. The nerd you never thought you'd see past episode one makes a few scattered appearances in which he's revealed as a normal kid under incredible pressure from his parents, but capable of acting out in his own way. Alphonse-sensei's antics never really get funny, but they do gain an edge of self-awareness that make them bearable. Even some of the demons you end up rooting for.

And speaking of the demons, I'd have to say that they and the chaos they cause make the show. Whereas other stories tend to sustain their “tension” by simply one-upping the disposable enemy's power level next week, Devilman is like a box of chocolates: you never know what you're going to get. Okay, this week the demon appears to people in a mirror and takes over their hands, driving buses over cliffs, forcing people to strangle each other, you name it. Right, this week the demon takes the form of jewelry and shrinks whoever touches him, and then they get eaten by their cat or something. Now this time the demon takes the form of a popular celebrity, and his quirky-looking autograph eventually turns into a spider that jumps down people's throats. The show has this totally wild Grimm-fairy-tale-esque vibe where everything is always trying to kill you, no exceptions.

Is Devilman a fist-pumpingly good TV series? No, and honestly it's a bit of a slog sometimes. But it's something you watch for the little nuggets of bizarreness scattered throughout. Like when Devilman decides to transform while in a giant clam, and the transformation sequence takes place outside. Or when he inexplicably begins torturing a female demon for information by repeatedly whipping her nipple. Or the fact that everyone reacts to the Tower of Babel suddenly appearing in the local airport the same way we might react to a car crash. Sure, a well-crafted plot is very good thing, but there's also something to be said for how often Devilman can surprise the viewer. This show definitely won't be everyone's cup of tea, but I'm wholeheartedly glad I stuck it out.

Anyone out there a big Go Nagai fan? Tell me which of his works I should watch next! I know there's plenty to choose from, but what are your favorites?

Thursday, July 2, 2015

Spring 2015 Overview

Here we are again. It seemed like a slightly more “meh” season this time around, but of course that could be due to myself choosing shows poorly. After all, I never got to Seraph of the End or Is it Wrong to Pick Up Girls in a Dungeon, two of the most popular shows of the cour. But let's focus on what I did watch for now, shall we?

Sailor Moon Crystal

Though I've heard rumors of a second season coming soon, I won't be watching. Sure, this might mark the beginning of the part I haven't seen, the past year tells me it would be dull as dirt if adapted by this team. Just not worth it.

Fate/Stay Night: Unlimited Blade Works

Already posted my thoughts in a previous post; I won't waste your time taking another dump on this series here. Suffice it to say I don't blame anyone for liking this, but it sure wasn't my cup of tea.

Assassination Classroom

Another strong season, this one dealing more in arcs than stand-alone episodes. They did a good job introducing higher stakes for this half, and the characters were just as easy to root for. It also ended at a very good point, leaving me satisfied but thirsty for more. I'd call this one of the few really popular things that more or less deserves its popularity.

High School DxD Born

A lot like the previous season a few years back, this one ended a bit weakly, but the majority was very strong. This may be a fanservice series first and foremost, but the character drama does mostly hold up. It's like being reunited with old friends every time this show gets another season, friends who happen to be naked most of the time. Not a bad deal.

Triage X

I did a brief write-up on this a month or so ago, and at the end of its run I'd have to classify this as dumb fun. Like, really dumb, but not surreptitiously pervy like Highschool of the Dead. Give it a shot if you're looking for a quick dose of fanservice, although it looks like next season's lineup will have us all covered in that respect.

The Disappearance of Nagato Yuki-chan

I'm a little surprised how many times this show changed form, in retrospect. It started off as an interesting twist on its parent franchise, then devolved into a pale imitator of said parent, then took a hard right turn I wasn't expecting a little too late in its run. I can't really recommend this one because it has such long stretches of mind-numbing mediocrity, but it's not like there's nothing interesting here. Just not enough to save the franchise.

The Heroic Legend of Arslan

In this show's defense, it does a better job at character building than the OVAs from the 90s. Better, it seems to have been planned out so that it'll actually tell us the whole story rather than run out of money. However, I can't help but be irritated every time a lame joke is pushed (So and so is a bad painter! So and so can't get a girl!), then punctuated with sweat drops, or sparkles, or funny faces. The original carried itself with such dignity that this show just feels incredibly cheap in comparison, a feeling not helped by the necessary yet painful reliance on CG. An epic like this shouldn't ever feel cheap. Even scarier, I've heard that a new adaptation of Legend of the Galactic Heroes may be in the works; so help me if it suffers the same treatment.

Blood Blockade Battlefront

Possibly the most outright fun of anything this season, and also the most visually creative. Pretty much every episode was great in some way, whether it chose to tackle action, drama, or just plain comedy. I do wish we got to know the characters better; by and large, it isn't explained why most of them do what they do, how they got their powers, or any other backstory elements. I admit it's not strictly necessary for this show, but a few flashback episodes would do wonders towards giving the team depth. Otherwise, I'm hard-put to think of any complaints.

Ninja Slayer

This was . . . different from what I expected. I get now that we're supposed to watch it as a comedy, and it certainly does have its funny moments, as well as its badass ones. But truth be told, I think Inferno Cop from a few years back was more consistently funny. I'm enjoying myself, though; there's not much else out there that's this damn weird.

Knights of Sidonia: The Ninth Planet Crusade

I did a write-up praising the first season a while back, and while this one was good, it didn't quite reach the same heights. I'd compare it to Nisemonogatari; probably a good show on the second watch that's great with subtle character building, but a little infuriating upon first watch thanks to its sluggish pace. There were just too many tranquil episodes when we should have been on the edge of our seat, left breathless as the last of humanity is pursued by a relentless enemy. Still, when the show chose to get good, it got really good, and I hope people are interested enough in the series that we'll be seeing more.

Plastic Memories

The opening episode, the closing episode, and maybe one or two in the middle proved that this could be a great show. The rest of the show proved that it just didn't care enough to attempt any sort of greatness. The two main characters, despite facing a compelling dilemma, constantly reverts to the same dumbass hijinks we see in subpar romantic comedies. Worse, they can't seem to do anything without the input of their nosy, annoying, stereotypical coworkers. It wouldn't take much to make this show a lot better, but there you have it.

Ore Monogatari!

This show is exactly as sweetly insubstantial as the many pastries it includes. There's truthfully quite little in the way of conflict, but you still get surprisingly invested in its main characters. They're just so adorable, which isn't something I normally look for in my anime, but I found myself rooting for them every time an easily-resolved conflict popped up. Glad this'll be going on for a little longer.

Hibike! Euphonium

Watched this because I was a huge band geek for most of my life, and this does capture the general feeling of being in a high school band. The needlessly dramatic portion of petty infighting, at least. I was really wishing for more of a “hell yeah, band is awesome!” mindset, and couldn't really connect with the characters at all. Not that I'm opposed to drama, but I'm just so done with the petty rivalries and crushes that this latest take on high school is all about. Too bad.

Ghost in the Shell Arise: Alternative Architecture

I'm a little ashamed that I enjoyed neither this show nor Fate, since both were clearly ambitious, and yet Ghost in the Shell has failed to wow me for a while now. Something about how the extremely dense plot is always explained by talking heads, or maybe how the Major is a little too perfect a character just hasn't sat well with me. I give this new show credit on a couple fronts, however. First, although I view it as a largely unnecessary entry, there's very little dead weight here; the series doesn't overstay its welcome. Second, it's visually very nice to look at, the Major's constantly angry facial design notwithstanding. Worth a watch if you haven't gotten your Ghost in the Shell fix yet, otherwise it's not exactly essential viewing.

And that's all! If you think I missed something important, let me know!