Monday, June 15, 2015

A Blind Stab in the Dark


Let's get the obvious question out of the way first: Why the hell would I subject myself to a Japanese children's cartoon from the 60s? Isn't that a bit unnecessary, possibly masochistic, even for a devoted anime fan? It turns out those questions become irrelevant roughly two seconds into Horus: Prince of the Sun, when we're treated to our hero having a sickass fight with a pack of wolves.


A little background. Horus was the 1968 debut of Isao Takahata, known most recently for The Tale of Princess Kaguya but best known for Grave of the Fireflies. Created during brutal labor disputes at Toei, this film went way over budget, was pulled from theaters after just ten days by the studio itself, and killed Takahata's career at said studio. This is a movie with stories behind it that I could go into, but won't because they aren't what initially impressed me. What's happening onscreen is impressive enough.

If I were to describe the appeal of Horus in a sentence, I'd say it takes your typical epic, fantasy-based adventure and populates it with unusually human characters. Sure, there's the evil wizard Grunwald who must be stopped. A handful of magical creatures must be defeated before the final battle can occur. There's no shortage of well-animated action scenes in this film, except for a few battles consisting of still frames even an inflated budget couldn't support. Even so, dynamic camera movement and some great art convey the scope of such scenes.

But it's the internal wars which keep Horus from being just an animator's playhouse. The title character must not simply work to defeat Grunwald, but to keep a town full of essentially good people from destroying itself through selfish fear. Grunwald himself betrays desperation and a strange loneliness at times. Hilda, the most interesting character by far, is constantly beset by inner turmoil. She practically hijacks the movie despite not appearing until the halfway point; it's pretty clear to see where the future tradition of strong, self-reliant, yet conflicted Ghibli heroines came from.

Sure, Horus: Prince of the Sun is pretty darn old at this point, but it still deserves more recognition today. Every aspect of the film just oozes ambition, meaning it's still impressive decades later. I wasn't sure what I was getting into when blind-buying the disc, but found myself
a lot richer after the viewing. Do yourself a favor and give it a shot.

And if you're still not convinced, Grunwald rides an ice elephant into battle at the end.

Yeah.

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